{"id":315640,"date":"2026-07-30T19:42:44","date_gmt":"2026-07-30T18:42:44","guid":{"rendered":"https:\/\/www.fum.it\/?p=315640"},"modified":"2026-07-30T19:42:54","modified_gmt":"2026-07-30T18:42:54","slug":"franchi-academy-international-architects-in-dialogue-with-carrara-marble","status":"publish","type":"post","link":"https:\/\/www.fum.it\/en\/blog-en\/fum-academy-en\/franchi-academy-international-architects-in-dialogue-with-carrara-marble\/","title":{"rendered":"Franchi Academy: International architects in dialogue with Carrara marble"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><b><i>Three years of lectures, workshops, and advanced education with YACademy, exploring the value of natural stone in contemporary architecture.<\/i><\/b><\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-weight: 400;\">Over the past three years, <\/span><b>Franchi Academy<\/b><span style=\"font-weight: 400;\"> has developed a programme of education and exchange that has brought Carrara marble to the centre of the dialogue with some of the most influential voices in contemporary architecture. An educational approach conceived as an open laboratory, where material, design, landscape, sustainability, and technical culture come together to explore new possibilities for the use of natural stone.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_masonry_media_grid element_width=&#8221;6&#8243; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1785401600922-a182b29d-c69f-1&#8243; include=&#8221;315627,315629&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<span style=\"font-weight: 400;\">In this journey, the collaboration with <\/span><b>YACademy<\/b><span style=\"font-weight: 400;\"> represented a decisive step. Franchi Academy identified YACademy as a strategic educational partner, bringing together young architects, big international studios, and top-level companies. This synergy arises from the encounter between two complementary skills: on one side, in-depth knowledge of Carrara marble, its quarries, craftsmanship, certifications, and supply chain; on the other, a postgraduate education model that brings together an international community of designers and lecturers from some of the world&#8217;s leading studios.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This collaboration has given Franchi Academy a new dimension: a platform for applied research, where marble is studied, investigated, and reinterpreted as a material for contemporary design, in synergy with the company&#8217;s expertise. Through the courses and workshops developed with YACademy, students engage with the material not as an abstract concept, but in the places where it originates: the quarries, production facilities, showrooms, slabs, finished surfaces, and the transformation techniques. In this direct experience, marble ceases to be a simple product and becomes landscape, history, expertise, responsibility, and design potential.<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-weight: 400;\">A particularly significant step in this collaboration is represented by the launch of the <\/span><b>Master in Spiritual Architecture<\/b><span style=\"font-weight: 400;\">, promoted in 2025. The Master marks an important evolution: Carrara marble is placed at the heart of an international reflection on the relationship between architecture, materiality, and spirituality. The theme of sacred, meditative, and symbolic architecture offers a new perspective on natural stone in its deepest dimension: a material capable of creating silence, duration, contemplation, and a connection with human experience.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The presence of architects from studios such as Sn\u00f8hetta, BIG, AMDL Circle, Zaha Hadid Architects, Herzog &amp; de Meuron, and EMBT Miralles Tagliabue, together with figures such as Giuseppe Zampieri and Claudio Silvestrin, has given Franchi Academy a value that goes beyond the scope of an educational experience. Each collaboration has brought a different perspective on design to Carrara: from landscape to sacred space, from design to retail, from formal experimentation to the quiet depth of materials. In this comparison, marble is not presented as a finished product, but as a material to be understood in its origins, its technical characteristics, its natural identity and its expressive potential.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_masonry_media_grid element_width=&#8221;6&#8243; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1785401600925-68153620-8b99-3&#8243; include=&#8221;315631,315633&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<span style=\"font-weight: 400;\">The <\/span><b>Carrara Community Quarry<\/b><span style=\"font-weight: 400;\"> workshop, led by <\/span><b>Patrick L\u00fcth<\/b><span style=\"font-weight: 400;\"> of <\/span><b>Sn\u00f8hetta<\/b><span style=\"font-weight: 400;\">, opened a particularly significant reflection on the relationship between quarry, landscape and community in the setting of the <\/span><b>Ponti di Vara<\/b><span style=\"font-weight: 400;\">, one of the most iconic places in the Carrara quarries. The Norwegian studio is known for its architecture capable of transforming buildings into public spaces and places of connection; a notable example is the <\/span><b>Oslo Opera House<\/b><span style=\"font-weight: 400;\">, where\u00a0 Carrara white marble covers the large walkable roof, transforming it into a sloping plaza overlooking the fjord. Bringing this sensitivity into the Carrara marble quarry landscape means questioning the future of marble sites, their accessibility, and the possibility of creating new forms of storytelling and engagement.<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-weight: 400;\">With <\/span><b>Giuseppe Zampieri<\/b><span style=\"font-weight: 400;\">, partner of <\/span><b>David Chipperfield Architects Milan <\/b><span style=\"font-weight: 400;\">the theme of marble has taken on a more intimate and spiritual dimension. The workshop <\/span><b>From quarries to temples<\/b><span style=\"font-weight: 400;\"> invited students to imagine, in the heart of the Ravalunga quarries, a place of interreligious meditation. Zampieri, <\/span><b>director of the Master,<\/b><span style=\"font-weight: 400;\"> brings with him a design culture founded on proportion, context, permanence, and construction quality; an approach that dialogues naturally with stone, a material of durability and memory. The reference to his work on projects such as <\/span><b>the Torlonia collection <\/b><span style=\"font-weight: 400;\">&#8211; one of the most significant collections of ancient sculpture in the world- strengthens this <\/span><b>relationship between architecture, sculpture and the enhancement of the material.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The presence of <\/span><b>Giulio Rigoni<\/b><span style=\"font-weight: 400;\"> from <\/span><b>BIG \u2013 Bjarke Ingels Group<\/b><span style=\"font-weight: 400;\"> introduced a further perspective: that of an architecture capable of connecting storytelling, urban scale, experimentation, and the collective imagination. With the <\/span><b>\u201cBucce\u201d project<\/b><span style=\"font-weight: 400;\">, marble was interpreted not only in its monumentality, but as an active material, capable of generating new forms, new languages \u200b\u200band new relationships between object, space and narrative.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With <\/span><b>Nicholas Bewick<\/b><span style=\"font-weight: 400;\"> of <\/span><b>AMDL Circle<\/b><span style=\"font-weight: 400;\">, Franchi Academy explored the relationship between marble, design and spirituality through the module <\/span><b>Transcendence and design<\/b><span style=\"font-weight: 400;\">, dedicated to cult objects and their role within spiritual spaces. From this perspective, marble becomes a threshold material: between gesture and ritual, function and symbol, physical presence and intangible value. AMDL Circle&#8217;s design culture, founded on attention to the individual, the quality of living spaces, and the humanistic dimension of the project, offered students a key to understanding the symbolic power of natural stone.<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-weight: 400;\">The visit of <\/span><b>Claudio Silvestrin<\/b><span style=\"font-weight: 400;\"> brought to the Academy one of the most distinctive voices of international <\/span><b>minimalism<\/b><span style=\"font-weight: 400;\">. In his work, natural stone is never merely a cladding material, but an essential element capable of creating silence, proportion, light, and depth. His presence reinforced one of the central themes of the Franchi Academy journey: <\/span><b>marble as a material that requires knowledge, respect and restraint<\/b><span style=\"font-weight: 400;\">, and which can express its maximum intensity precisely through subtraction.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With <\/span><b>Bogdan Zaha<\/b><span style=\"font-weight: 400;\"> of <\/span><b>Zaha Hadid Architects<\/b><span style=\"font-weight: 400;\">, the discussion focused on the <\/span><b>relationship between architecture, fashion, and retail<\/b><span style=\"font-weight: 400;\">. ZHA&#8217;s fluid and dynamic language has often explored the boundaries between architecture, design, and sculpture; from this perspective, marble can also become a material for experimentation, capable of translating complex forms and continuous surfaces into immersive spatial experiences.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Finally, the presence of <\/span><b>Olga Bolshanina<\/b><span style=\"font-weight: 400;\"> of <\/span><b>Herzog &amp; de Meuron<\/b><span style=\"font-weight: 400;\"> opened a dialogue with a studio that has made the <\/span><b>physicality of materials, surfaces, and textures<\/b><span style=\"font-weight: 400;\"> one of its most distinctive tools. The references to fashion retail and projects such as <\/span><b>Prada Aoyama<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Miu Miu Aoyama<\/b><span style=\"font-weight: 400;\"> offer a way to interpret natural stone within contemporary contexts where materiality, brand identity, the city, and the perception of space intertwine.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]<span style=\"font-weight: 400;\">This journey is now enriched by the upcoming session with <\/span><b>Benedetta Tagliabue<\/b><span style=\"font-weight: 400;\">, head of <\/span><b>EMBT Miralles Tagliabue<\/b><span style=\"font-weight: 400;\">, who will lead a new chapter of Franchi Academy, structured around a <\/span><b>quarry visit and lecture<\/b><span style=\"font-weight: 400;\">. Her presence introduces a perspective strongly connected to the relationship between architecture, landscape, the memory of places, and the sensory quality of materials. The work of EMBT, internationally recognized for its ability to create open, organic spaces deeply connected to their context, finds a particularly significant reference in the project of the <\/span><b>Chiesa di San Giacomo Apostolo (Church of Saint James the Apostle)<\/b><span style=\"font-weight: 400;\">, where architecture, community, and the spiritual dimension come together in a welcoming and contemporary form. In this sense, the appointment with Benedetta Tagliabue strengthens the dialogue already initiated by Franchi Academy between Carrara marble, design culture, and new interpretations of natural stone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Through these collaborations, Franchi Academy has consolidated <\/span><b>a method: bringing architects into the material<\/b><span style=\"font-weight: 400;\">, even before facing the product. Quarries, slabs, veining, processing techniques, certifications, sustainability, and the knowledge embedded in the supply chain become design tools. The collaboration with YACademy strengthens this method, transforming the Franchi experience into an international educational program, connecting Carrara with new generations of architects and the most advanced languages \u200b\u200bof contemporary design.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It is here that Carrara marble confirms and redefines itself not only as a prestigious material, but as a material of thought, culture, and future.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_masonry_media_grid element_width=&#8221;12&#8243; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1785401600927-6c7ff2e6-9d3e-5&#8243; include=&#8221;315635&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Three years of lectures, workshops, and advanced education with YACademy, exploring the value of natural stone in contemporary architecture.<\/p>\n","protected":false},"author":1,"featured_media":315646,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[47,376],"tags":[379,380,685,286,686,687,688,435,181,607,689,402],"class_list":["post-315640","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en","category-fum-academy-en","tag-architetti-internazionali-en","tag-architettura-contemporanea-en","tag-architettura-sacra","tag-cave-di-carrara-en","tag-design-del-marmo","tag-formazione","tag-franchi-academy","tag-franchi-umberto-marmi-en","tag-marmo-di-carrara-en","tag-pietra-naturale","tag-spiritual-architecture","tag-yacademy-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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